The book is divided into five parts

You could engage in the:

  • Science primer covering foundations of the philosophy of science, methodology, reasoning, and logic.
  • Composer’s guide covering workflow, word processor, AI tools, and layout requirements.
  • Creator’s guide covering the development of a thesis topic and a proposal, the storyline, stylistic requirements, and visualisation.
  • Writer’s guide covering the individual sections of a thesis, distinguishing for different disciplines and approaches.
  • Presenter’s guide covering presentations and thesis defence.

Parts

Parts

TABLE OF CONTENTS OF THE ART OF THESIS WRITING

Part I     The Science Primer

1         A Field Trip Into the Sciences

1.1       Why Philosophy is Important

1.2      The Journey Begins

1.2.1     Starting with Assumptions

1.2.2    A Missing Link

1.3      The Philosophical Perspective

1.3.1     Ontology – A Matter of Reality

1.3.2    Epistemology – What Can Be Known

1.3.3    Methodology – Principles of Research

1.4      The Consequences of Ontologies

1.4.1     How the Results Differ

1.4.2    The Difference Between Theory and Practice

1.4.3    A Single Approach Does Not Suffice

1.5      A Critical Discourse

1.5.1     The Issue of Paradigms

1.5.2    The Qualitative-Quantitative Debate

1.5.3    A Matter of Definition

1.5.4    A Way Out

2        The Path to Discovery

2.1      The Research Cycle

2.2     System Complexity

2.3     Deciding for a Methodology

2.3.1    Abstract Systems

2.3.2   Artificial Systems

2.3.3   Physical Systems

2.3.4   Biological Systems

2.3.5   Social Systems

2.3.6   Individuals

2.4     From Data to Theory

2.4.1    Data and Metadata

2.4.2   Derived Data

2.4.3   Patterns and Relationships

2.4.4   Categories and Classes

2.4.5   Types and Typologies

2.4.6   Intension and Definition

2.4.7   Taxonomies

2.4.8   Models

2.4.9   Theories

3        Foundations of Reasoning

3.1      Forms of Reasoning

3.1.1     The Inference Procedure

3.1.2    Abductive Inference

3.1.3    Inductive Inference

3.1.4    Deductive Inference

3.1.5    The Subtleties of Language

3.2     Justification

3.3     Theses and Hypotheses

3.3.1    Theses

3.3.2   Hypotheses

3.3.3   A Taxonomy of Theses and Hypotheses

3.4     Abductive Reasoning in Practice

3.4.1    Medical Diagnosis

3.4.2   Grounded Theory

3.5     Inductive Reasoning

3.5.1    Eliminative Induction

3.5.2   Analogical Induction

3.5.3   Enumerative Induction

3.5.4   The Transition to Statistics

3.6     The Language of Deductive Logic

3.6.1    Definitions

3.6.2   Implication

3.6.3   Biconditional

3.6.4   Logical Operators

3.6.5   Quantifiers

3.6.6   Logical Arguments

3.6.7   Axioms, Postulates and Theorems

3.6.8   Formal Proof and Meta Language

3.7     The Traps of Reasoning

3.7.1    Ignorance of Alternatives

3.7.2   Argumentative Fallacies

3.7.3   Overgeneralisation

3.7.4   Overcomplication

3.7.5   Appeal to Authority

3.7.6   Conservatism and Common Beliefs

3.7.7    Paradox and Antinomy

3.7.8   An Issue of Precision

Part II    The Composer’s Guide

4        Organise to Survive

4.1      Know Your Framework Conditions

4.2     How You are Supervised

4.3     Planning and Monitoring

4.4     Self-organisation

4.5     A Look in the Mirror

5        Quill or Word Processor?

5.1      Functions to Understand

5.2     What Else Supports Writing

5.3     Built-in Word Helpers for Finishing

5.4     A Tiny Little Helper

5.5     Saving Time Through Voice Recognition

6        Layout and Form

6.1      Basic Word Processor Functions

6.1.1     Styles

6.1.2    Fields

6.1.3    How to Copy & Paste

6.1.4    The Navigation Pane

6.2     Page Layout

6.2.1    Margins

6.2.2   Font Style and Size

6.2.3   Line Spacing

6.2.4   Paragraph Spacing vs. Indented Paragraphs

6.2.5   Headers and Footers

6.3     Section Breaks

6.3.1    Creating Landscape Pages with Section Breaks

6.3.2   Changing Page Numbering with Section Breaks

6.4     Page Breaks and Empty Lines

6.5     Headings

6.5.1    Numbering and Subdivision

6.5.2   Capitalisation

6.5.3   Punctuation

6.6     Bulleted or Numbered Lists

6.7     Footnotes and Endnotes

6.8    Emphasis

6.9     Abbreviated Forms

6.10  Front and Back Matter

6.10.1  Title Page

6.10.2 Abstract

6.10.3 Declaration of Authenticity

6.10.4 Publication Disclaimer

6.10.5 Confidentiality Clause

6.10.6 Copyright Permission

6.10.7 Dedication

6.10.8 Acknowledgements

6.10.9 Preface

6.10.10     Table of Contents

6.10.11 Listings

6.10.12     Back Matter

7         A Matter of Style

7.1      The Trouble with the Beginning

7.2     How to Write a Transition

7.3     Lonesome Headings

7.4     Headings and Expectations

7.5     Using Paragraphs

7.6     Stylistic Episodes

7.6.1    About Trivialities

7.6.2   Appropriate Terminology

7.6.3   Redundancies

7.6.4   Metaphoric Excesses

7.6.5   A Very, Very Important Rule

7.6.6   Getting it Right

7.6.7    Absolutism

7.6.8   Relativistic Considerations

7.6.9   Use of Conjunctive Adverbs

7.6.10 Verbs for Reasoning

7.6.11   Vague Qualifiers

7.6.12  Expressing an Author’s Stance

7.6.13  Active vs. Passive Voice

7.6.14  Personal Pronouns

7.7     Remarks on Punctuation

7.7.1    The Neglected Semicolon

7.7.2    Hyphens and Dashes

7.7.3    Single or Double Quotation Marks

7.8     About Citations

7.8.1    What to Cite

7.8.2   What Not to Cite

7.8.3   How to Cite

7.8.4   References

7.8.5   Plagiarism

7.9     A Style Summary in a Nutshell

8        ChatGPT and AI Tools

8.1      ChatGPT

8.2     ChatGPT and Thesis Writing

8.3     Positive And Negative Effects On Your Skills

8.3.1    Positive Effects

8.3.2   When do we Encounter Negative Effects?

8.4    AI Translation Tools 

9   Visualisation

9.1      Missing Graphical Tools?

9.2     Presenting Primary and Derived Data

9.3     The Good, the Bad and the Ugly

9.4     Simple and Complex Result Types

9.4.1    Simple Result Types

9.4.2   Complex Result Types

9.5     Tables

9.5.1    Tips for Better Readability of Tables

9.5.2   What is Easier to Read?

9.6     Chart Types

9.6.1    Comparison Charts

9.6.2   Relationship Charts

9.6.3   Distribution Charts

9.6.4   Composition Charts

9.6.5   Classification Charts

9.6.6   What Chart Elements are Expected?

9.7     Source Codes

9.7.1    Monospace Fonts

9.7.2   What Code to Show and Where?

9.8    The Worst Practice

Part III   The Creator’s Guide

10     From the Idea to the Topic

10.1    How to Generate a Topic

10.2   Finding Literature

10.2.1  Academic Search Engines

10.2.2 Search Phrases

10.2.3 How to Screen an Article

10.2.4 Beware of Predators

10.3   Refining your Topic

11       Writing a Thesis Proposal

11.1     Approaching Your Supervisor

11.2    Components of a Proposal

11.2.1   Describing the State

11.2.2   Phrasing the Research Objectives

11.2.3   Defining the Research Design

11.2.4  Research Schedule

11.3    Defending your Proposal

11.4    The Worst Practice

12      Creating a Storyboard

12.1    The Generic Structure

12.1.1   Introduction

12.1.2   Literature Review

12.1.3   Research Design

12.1.4  Results & Discussion

12.1.5   Conclusion

12.2   Other Forms of Studies

12.2.1   Capstone Project

12.2.2  Academic Case Study

Part IV    The Writer’s Guide

13      The Introduction

13.1    How to Begin

13.2   Research Objective

13.2.1   Research Questions

13.2.2  Hypotheses

13.2.3  Thesis Statements

13.3   Value and Audience

13.4   Scope and Delimitation

13.5   The Worst Practice

14      The Literature Review

14.1    The Meaning of a Literature Review

14.1.1   Coding, Analysis, and Synthesis

14.1.2  Definitions

14.2   Types of Reviews

14.3   How Much Literature is Required

14.4   Narrative Review

14.4.1  Storyline

14.4.2 Analysis

14.4.3 Synthesis

14.5   Systematic Reviews

14.5.1  Storyline

14.5.2  Analysis

14.5.3  Synthesis

14.5.4 Limitations of Systematic Reviews

14.6   Critical Review

14.6.1  Storyline

14.6.2  Analysis

14.6.3  Synthesis

14.7   Hermeneutical Review

14.7.1   Analysis

14.7.2  Synthesis

14.7.3  Grounded Theory

14.7.4  Remarks on Grounded Theory

14.8   Meta-study

14.8.1  Storyline

14.8.2 Analysis

14.8.3 Synthesis

14.9   Meta-analysis

14.9.1  Storyline

14.9.2  Analysis

14.9.3  Synthesis

14.10 The Worst Practice

15      The Research Design

15.1    The Storyline of the Research Design

15.2   Selecting the Research Design

15.3   Formal Logic Design

15.4   Experimental Design

15.4.1  Principles

15.4.2  Conditions and Materials

15.4.3  Sampling and Pre-processing

15.4.4 Analysis and Synthesis

15.4.5  Error Analysis and Constraints

15.5   Empirical Design

15.5.1   Setting, Methods, and Instruments

15.5.2  Sampling

15.5.3  Analysis and Synthesis

15.5.4  Validation and Constraints

15.6   Interpretative Design

15.6.1   Methodology

15.6.2  Methods and Instruments

15.6.3  Analysis and Interpretation

15.6.4  Validation and Constraints

15.7    Dialectical Design

15.7.1   Methodology

15.7.2  Analysis and Synthesis

15.7.3  Validation and Constraints

15.8   Art Criticism Design

15.8.1  Assumptions

15.8.2  Deriving a Research Design

15.8.3  Target Group

15.8.4 The Role of the Receptive Audience

15.8.5  Methodical Approach

15.8.6  Analytical Focus

15.8.7  Artistic Domains and Aesthetic Elements

15.8.8 Synthesis

15.9   Engineering Design

15.9.1   Conceptual Design

15.9.2  Requirements Engineering

15.9.3  Development

15.10 A Research Design Checklist

15.11   The Worst Practice

16      The Results & Discussion

16.1    Outline of the Results Section

16.2   Explaining and Interpreting Results

16.2.1   Presentation of Charts

16.2.2  Presentation of Statistical Data

16.2.3  Presentation of Narratives

16.2.4  Presentation of Technical Results

16.3   Discussing Results

16.4   Identifying Forms of Argumentation

16.4.1  The Dialogical Argument

16.4.2  The Dialectical Argument

16.4.3  The Apodictic Argument

16.4.4 The Rhetorical Argument

16.5   Critical Assessment

16.5.1   Relevance

16.5.2  Exclusion of Alternatives

16.5.3  Causality

16.5.4  Missing Evidence

16.5.5  Consistency

16.5.6  Falsification

16.5.7  Logical Invalidation

16.5.8  Questioning Assumptions

16.5.9  Challenging Experts

16.5.10     Challenging Authorities

16.5.11 Ethical Considerations

16.5.12 Coherence

16.6   Writing a Synopsis

16.6.1   Answers to Research Questions

16.6.2  Answers to Explanatory Hypotheses

16.6.3  Answers to Statistical Hypotheses

16.6.4  Argumentation for Theses

16.6.5  Answers to Development Objectives

16.7   Results and Discussion Checklist

16.8   The Worst Practice

17       The Conclusion

17.1     Outline of the Chapter

17.2    The Conclusion

17.3    Critical Reflection

17.4   Recommendations for Future Research

17.5    Outlook

17.6   Conclusion Checklist

17.7    The Worst Practice

Part V   The Presenter’s Guide

18      Presentations

18.1    Principles of Presentations

18.2   Best Practices

18.2.1  Slide Messages

18.2.2  Motion, Contrast, and Colour

18.2.3  Font Size

18.2.4 Cognitive Load

18.2.5  Background

18.2.6  Number of Elements per Slide

18.2.7  Summary

18.3   How to Present

18.3.1  Timing

18.3.2  Preparation

18.3.3  Practising

19      Thesis Defence

19.1    Objectives of a Thesis Defence

19.2   Parts of a Thesis Defence

19.2.1   Presentation

19.2.2  Question & Answer

19.2.3  Feedback

19.3   The Worst Practice

Bibliography

Index

About the Authors

Sample Pages